Image [&] Narrative is a peer-reviewed e-journal on visual narratology in the broadest sense of the term. Beside tackling theoretical issues, it is a platform for reviews of real life examples.
Starting from the issue on Chris Marker (Vol. 10: 3), the journal has shifted to the “Open Journals Systems” framework, whose publishing philosophy we strongly support. Previous issues of Image (&) narrative remain freely accessible in their initial form (see “Previous volumes” in the navigation space above). All other issues produced in the “Open Journals Systems” framework will be accessible in the “Archives” section of the navigation).
“Image (&) Narrative” is open to all proposals for guest-edited special issues, provided they follow the general thematic orientation as well as the general peer-reviewed policy of the journal. For all questions, please contact the journal.
Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. By virtue of their appearance in this open access journal, articles are free to use, with proper attribution, in educational and other non-commercial settings.
Issues in preparation:
- 11.2 May 2010: “New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative”
Guest-editor: Frederick Luis Aldama.
- 11.3 September/October 2010: Alex Streitberger (Louvain-la-Neuve): “Photography and the Book”.
- 11.4 December 2010: "Visual Language of Manga". Guest-editor: Hans Coppens.
- 12.1 January 2011: Teresa Forde (Derby University): “Memory screens” (looking at image, narrative and memory within film and television).
Current Issue:
Vol 11, No 1 (2010): Chris Marker (II)
Table of Contents
Thematic Cluster
| Introduction |
Abstract
PDF
|
|
Peter Kravanja |
1-2 |
| The Imaginary in the Documentary Image: Chris Marker’s Level Five |
Abstract
PDF
|
|
Christa Blümlinger |
3-15 |
| Montage, Militancy, Metaphysics: Chris Marker and André Bazin |
Abstract
PDF
|
|
Sarah Cooper |
16-28 |
| Statues Also Die - But Their Death is not the Final Word |
Abstract
PDF
|
|
Matthias De Groof |
29-46 |
| Autour de 1968, en France et ailleurs : Le Fond de l'air était rouge |
Abstract
PDF
|
|
Sylvain Dreyer |
47-63 |
| “If they don’t see happiness in the picture at least they’ll see the black”: Chris Marker’s Sans Soleil and the Lyotardian Sublime |
Abstract
PDF
|
|
Sarah French |
64-81 |
| Crossing Chris: Some Markerian Affinities |
Abstract
PDF
|
|
Adrian Martin |
82-91 |
| Petit Cinéma of the World or the Mysteries of Chris Marker |
Abstract
PDF
|
|
Susana S. Martins |
92-106 |
Various Articles
| Blake et le Laocoön : pour une poétique du Mouvement |
Abstract
PDF
|
|
Jérémy Lambert |
107-117 |
| Multimodality and its Modes in Novelizations |
Abstract
PDF
|
|
Heidi Peeters |
118-129 |
Review Articles
| Rita Raley - Tactical Media |
Abstract
PDF
|
|
Jan Baetens |
130-131 |
| Maria Giulia Dondero, Le sacré dans l’image photographique. |
Abstract
PDF
|
|
Jean Fisette |
132-136 |
| Nicole Matthews & Nickianne Moody, eds., Judging a Book by Its Cover: Fans, Publishers, Designers, and the Marketing of Fiction. |
Abstract
PDF
|
|
Thomas Van Parys |
137-139 |
Online Magazine of the Visual Narrative - ISSN 1780-678X