Image [&] Narrative is a peer-reviewed e-journal on visual narratology and word and image studies in the broadest sense of the term. It does not focus on a narrowly defined corpus or theoretical framework, but questions the mutual shaping of literary and visual cultures. Beside tackling theoretical issues, it is a platform for reviews of real life examples. Each issue features three parts: 1) a thematic cluster, guest-edited by specialized scholars in the field; 2) a selection of various articles; 3) reviews of recent publications. Image [&] Narrative is a bilingual journal, which publishes contributions in either English or French, and which fosters cross-cultural and interdisciplinary dialogue between linguistic and scientific traditions.
Image & Narrative
Announcements
Call for Papers |
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| No call for papers at the moment. | |
| Posted: 2010-05-14 | More... |
Issues in preparation |
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- "Neo-baroque Today 2", guest-editor Karel Vanhaesebrouck, (13.3). - "Figurations de l’écrivain en images / Figurations of the writer in image", guest editor David Martens (13.4). - Arne De Winde, Sientje Maes & Bart Philipsen (guest-editors): "Beyond all Bearing. (Con)Figurations of the Intolerable, part 1" (14.1). - "Film and Fiction: Recent Representations on Shoah in Francophone Culture(s)". Gyssels Kathleen (kathleen.gyssels@ua.ac.be), Universiteit Antwerpen and Evelyne Ledoux-Beaugrand (E.Ledoux-Beaugrand@uva.nl), Amsterdam School of Cultural Analysis, (14.2). - Arne De Winde, Sientje Maes & Bart Philipsen (guest-editors): "Beyond all Bearing. (Con)Figurations of the Intolerable, part 2" (14.3). - "Intermedial satire", Kiene Brillenburg Wurth, University of Utrecht [C.A.W.BrillenburgWurth@uu.nl] en Marijke Meijer Drees, University of Groningen (m.e.meijer.drees@rug.nl) (14.4). |
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| Posted: 2010-05-11 | More... |
| More Announcements... |
Vol 13, No 2 (2012): Neo-baroque Today 1
Table of Contents
Thematic Cluster
| Introduction | Abstract PDF |
| Ralph Dekoninck, Karel Vanhaesebrouck, et al. | 1-4 |
| Moonstruck Follies. Ken Russell’s Salome’s Last Dance (1988) as Baroque Performance | Abstract PDF |
| Christophe Van Eecke | 5-25 |
| The Ambiguity of Weeping. Baroque and Mannerist Discourses in Haynes’ Far from Heaven and Sirk’s All That Heaven Allows. | Abstract PDF |
| Jack Post | 26-52 |
| Cinematic Neo-Mannerism or Neo-Baroque? Deleuze and Daney | Abstract PDF |
| Sjoerd van Tuinen | 53-75 |
| Re-visioning the Spanish Baroque: The Ekphrastic Dimension of Constancia and Other Stories for Virgins by Carlos Fuentes | Abstract PDF |
| Reindert Dhondt | 76-94 |
| A Neo-Baroque Tale of Jesuits in Space: Mary Doria Russell’s The Sparrow (1996) | Abstract PDF |
| Daniel J. Worden | 95-116 |
Various Articles
| A Cinema of Modernist Poetic Prose: On Antonioni and Malick | Abstract PDF |
| Peter Verstraten | 117-132 |
| Metaphors in Buster Keaton’s Short Films | Abstract PDF |
| Maarten Coëgnarts, Peter Kravanja | 133-146 |
Review Articles
| Charles Hatfield, Hand of Fire. The Comics of Jack Kirby | Abstract PDF |
| Jan Baetens | 147-149 |