Vol 13, No 2 (2012)

Neo-baroque Today 1

Editors: Ralph Deconinck, Karel Vanhaesebrouck, Christian Biet, Agnès Guiderdoni-Bruslé, Jack Post

Table of Contents

Thematic Cluster

Introduction Abstract PDF
Ralph Dekoninck, Karel Vanhaesebrouck, et al. 1-4
Moonstruck Follies. Ken Russell’s Salome’s Last Dance (1988) as Baroque Performance Abstract PDF
Christophe Van Eecke 5-25
The Ambiguity of Weeping. Baroque and Mannerist Discourses in Haynes’ Far from Heaven and Sirk’s All That Heaven Allows. Abstract PDF
Jack Post 26-52
Cinematic Neo-Mannerism or Neo-Baroque? Deleuze and Daney Abstract PDF
Sjoerd van Tuinen 53-75
Re-visioning the Spanish Baroque: The Ekphrastic Dimension of Constancia and Other Stories for Virgins by Carlos Fuentes Abstract PDF
Reindert Dhondt 76-94
A Neo-Baroque Tale of Jesuits in Space: Mary Doria Russell’s The Sparrow (1996) Abstract PDF
Daniel J. Worden 95-116

Various Articles

A Cinema of Modernist Poetic Prose: On Antonioni and Malick Abstract PDF
Peter Verstraten 117-132
Metaphors in Buster Keaton’s Short Films Abstract PDF
Maarten Coëgnarts, Peter Kravanja 133-146

Review Articles

Charles Hatfield, Hand of Fire. The Comics of Jack Kirby Abstract PDF
Jan Baetens 147-149


Online Magazine of the Visual Narrative - ISSN 1780-678X