![Image [&] Narrative](http://ojs.arts.kuleuven.be/public/journals/1/pageHeaderTitleImage_en_US.gif)
Table of Contents
Thematic Cluster
| Introduction | |
| Peter Kravanja | 1-2 |
| ‘Thought-Images’ and Critical-Lyricisms: The Denkbild and Chris Marker’s Le Tombeau d’Alexandre | |
| David Foster | 3-14 |
| La mémoire en jeu vidéo dans Level five (1996) | |
| Thibaut Garcia | 15-28 |
| Micrologie de Chris Marker | |
| Nicolas Geneix | 29-46 |
| Avatars de l'Histoire, Warburg et Marker | |
| Barbara Laborde | 47-58 |
| Un cinéma du territoire | |
| Suzanne Liandrat-Guigues | 59-65 |
| L’oeuvre au miroir. Une journée d’Andrei Arsenevitch, Chris Marker | |
| Luc Vancheri | 66-72 |
Various Articles
| How Many is Multi? On the Example of Photo Narrative, High and Low. | |
| Jan Baetens | 73-82 |
| Historicizing Chicago’s Resurrection of the Film Musical, or, Thinking in Fragments, from Vaudeville to MTV | |
| Vagelis Siropoulos | 83-96 |
Review Articles
| The Importance of Being Iceland. Travel Essays in Art | |
| Jan Baetens | 97 |
| Art and Electronic Media | |
| Jan Baetens | 98-99 |
| Posthuman Metamorphosis: Narrative and Systems, New | |
| Elke D'hoker | 100-102 |
| God of Comics, Osamu Tezuka and the Creation of Post-World War II | |
| Pascal Lefèvre | 103 |
| Description in Literature and Other Media | |
| Thomas Van Parys | 104-107 |
| Sound Design and Science Fiction | |
| Thomas Van Parys | 108-113 |