![Image [&] Narrative](http://ojs.arts.kuleuven.be/public/journals/1/pageHeaderTitleImage_en_US.gif)
Table of Contents
Thematic Cluster
| Introduction | |
| Peter Kravanja | 1-2 |
| The Imaginary in the Documentary Image: Chris Marker’s Level Five | |
| Christa Blümlinger | 3-15 |
| Montage, Militancy, Metaphysics: Chris Marker and André Bazin | |
| Sarah Cooper | 16-28 |
| Statues Also Die - But Their Death is not the Final Word | |
| Matthias De Groof | 29-46 |
| Autour de 1968, en France et ailleurs : Le Fond de l'air était rouge | |
| Sylvain Dreyer | 47-63 |
| “If they don’t see happiness in the picture at least they’ll see the black”: Chris Marker’s Sans Soleil and the Lyotardian Sublime | |
| Sarah French | 64-81 |
| Crossing Chris: Some Markerian Affinities | |
| Adrian Martin | 82-91 |
| Petit Cinéma of the World or the Mysteries of Chris Marker | |
| Susana S. Martins | 92-106 |
Various Articles
| Blake et le Laocoön : pour une poétique du Mouvement | |
| Jérémy Lambert | 107-117 |
| Multimodality and its Modes in Novelizations | |
| Heidi Peeters | 118-129 |
Review Articles
| Rita Raley - Tactical Media | |
| Jan Baetens | 130-131 |
| Maria Giulia Dondero, Le sacré dans l’image photographique. | |
| Jean Fisette | 132-136 |
| Nicole Matthews & Nickianne Moody, eds., Judging a Book by Its Cover: Fans, Publishers, Designers, and the Marketing of Fiction. | |
| Thomas Van Parys | 137-139 |