| The Imaginary in the Documentary Image: Chris Marker’s Level Five |
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Christa Blümlinger |
3-15 |
| Montage, Militancy, Metaphysics: Chris Marker and André Bazin |
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Sarah Cooper |
16-28 |
| Statues Also Die - But Their Death is not the Final Word |
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Matthias De Groof |
29-46 |
| Autour de 1968, en France et ailleurs : Le Fond de l'air était rouge |
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Sylvain Dreyer |
47-63 |
| “If they don’t see happiness in the picture at least they’ll see the black”: Chris Marker’s Sans Soleil and the Lyotardian Sublime |
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Sarah French |
64-81 |
| Crossing Chris: Some Markerian Affinities |
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Adrian Martin |
82-91 |
| Petit Cinéma of the World or the Mysteries of Chris Marker |
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Susana S. Martins |
92-106 |
| Blake et le Laocoön : pour une poétique du Mouvement |
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Jérémy Lambert |
107-117 |
| Multimodality and its Modes in Novelizations |
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Heidi Peeters |
118-129 |
| Rita Raley - Tactical Media |
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Jan Baetens |
130-131 |
| Maria Giulia Dondero, Le sacré dans l’image photographique. |
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Jean Fisette |
132-136 |
| Nicole Matthews & Nickianne Moody, eds., Judging a Book by Its Cover: Fans, Publishers, Designers, and the Marketing of Fiction. |
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Thomas Van Parys |
137-139 |