Table of Contents
Thematic Cluster
| Introduction | |
| Fabio Camilletti, Martin Doll, Rupert Gaderer, Jan Niklas Howe, Catherine Smale | 1-6 |
| Visuality – Textuality: An Uncanny Encounter | |
| Elisabeth Bronfen | 7-24 |
| Present Perfect. Time and the Uncanny in American Science and Horror Fiction of the 1970s (Finney, Matheson, King) | |
| Fabio Camilletti | 25-41 |
| Familiarity and no Pleasure. The Uncanny as an Aesthetic Emotion. | |
| Jan Niklas Howe | 42-63 |
| Uncanny Love: Schelling’s Meditations on the Spirit World | |
| Laurie Johnson | 64-86 |
| “Er hatte eine Wasserscheu vor Gespenstergeschichten”: The Ghost Story in Late Eighteenth-Century Germany in the Light of Jean Paul’s Novel Die Unsichtbare Loge | |
| Elisa Leonzio | 87-98 |
| The Hero and His Shadow | |
| Simona Micali | 99-110 |
| The Unsettling, Urban Uncanny: The Case of Secured Settlements | |
| Sandra Evans | 111-121 |
Various Articles
| Documentative Polaroid Project on Bahrain: exploring the elements of mediating sentiment | |
| Sheyma Buali | 122-127 |
| Cats, Postdramatic Blockbuster Aesthetics and the Triumph of the Megamusical | |
| Vagelis Siropoulos | 128-145 |
Review Articles
| Landmasses and Railways, Bertrand Fleuret | |
| Jan Baetens | 146-149 |
| Petite histoire du magazine Vu (1928-1940). Entre photographie d’information et photographie d’art, Danielle Leenaerts | |
| Jan Baetens | 150-153 |


