![Image [&] Narrative](http://ojs.arts.kuleuven.be/public/journals/1/pageHeaderTitleImage_en_US.gif)
| Issue | Title | |
| Vol 14, No 1 (2013): Beyond all Bearing. (Con)Figurations of the Intolerable, part 1 | 'Comics versus Art.' Bart Beaty | Abstract PDF |
| Gabriel Tremblay-Gaudette | ||
| Vol 14, No 1 (2013): Beyond all Bearing. (Con)Figurations of the Intolerable, part 1 | 'In/Fidelity. Essays on Film Adaptation.' David L. Kranz & Nancy C. Mellerski, eds. | Abstract PDF |
| Thomas Van Parys | ||
| Vol 13, No 2 (2012): Neo-baroque Today 1 | A Cinema of Modernist Poetic Prose: On Antonioni and Malick | Abstract PDF |
| Peter Verstraten | ||
| Vol 10, No 1 (2009): Images of the Invisible | A Comics Studies Reader | Abstract PDF |
| Jan Baetens | ||
| Vol 10, No 2 (2009): The author and his imaginary the development of particularity | A Conjuror's smile: Vladimir Nabokov in The Real Life of Sebastian Knight | Abstract PDF |
| Irina Marchesini | ||
| Vol 12, No 1 (2011): Visual Language of Manga | A different kind of cultural frame: An analysis of panels in American comics and Japanese manga | Abstract PDF |
| Neil Cohn | ||
| Vol 11, No 2 (2010): New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative | A Different Postcolonialism: the Cultural Ethics of Yasujiro Ozu’s Late Spring | Abstract PDF |
| Patrick Colm Hogan | ||
| Vol 14, No 1 (2013): Beyond all Bearing. (Con)Figurations of the Intolerable, part 1 | "A Heart That Can Endure." Blumenberg's Anthropology of Solace | Abstract PDF |
| Nadia Sels | ||
| Vol 13, No 3 (2012): Neo-baroque Today 2 | A line going out for a walk. On the rhetoric of walking in Francis Alÿs’s oeuvre | Abstract PDF |
| Elke Couchez | ||
| Vol 13, No 2 (2012): Neo-baroque Today 1 | A Neo-Baroque Tale of Jesuits in Space: Mary Doria Russell’s The Sparrow (1996) | Abstract PDF |
| Daniel J. Worden | ||
| Vol 11, No 2 (2010): New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative | A Story Told by a Picture | Abstract PDF |
| Yeshayahu Shen, Efrat Biberman | ||
| Vol 11, No 2 (2010): New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative | Adapting The Joy Luck Club: Thematic Emphasis through Form | Abstract PDF |
| Wanlin Li | ||
| Vol 11, No 4 (2010): Photography and the book | Alfred Laoureux Monsieur 2003 Photos | Abstract PDF |
| Jacques Lennep | ||
| Vol 13, No 3 (2012): Neo-baroque Today 2 | Allegorising Gerard ter Borch. Research, Appropriation and the Baroque Impulse in the Work of Karin Hanssen | Abstract PDF |
| Kurt Vanhoutte | ||
| Vol 11, No 2 (2010): New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative | Anger, Cognition, Ideology: What Crash Can Show Us About Emotion | Abstract PDF |
| Sue J. Kim | ||
| Vol 13, No 4 (2012): Figurations iconographiques de l'écrivain/Iconographic figurations of the writer | Anne Burdick, Johanna Drucker, Peter Lunenfeld, Todd Pressner, Jeffrey Schnapp Digital_Humanities | Abstract PDF |
| Jan Baetens | ||
| Vol 11, No 2 (2010): New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative | Ari Folman’s Waltz With Bashir and the Limits of Abstract Tragedy | Abstract PDF |
| Nicholas Hetrick | ||
| Vol 13, No 4 (2012): Figurations iconographiques de l'écrivain/Iconographic figurations of the writer | Ari J. Blatt Pictures into Words. Images in Contemporary French Fiction | Abstract PDF |
| Jan Baetens | ||
| Vol 10, No 3 (2009): Chris Marker (I) | Art and Electronic Media | Abstract PDF |
| Jan Baetens | ||
| Vol 11, No 2 (2010): New Horizons in the Analysis of US Ethnic and Postcolonial Film and Animation Narrative | Assessing Empathy: A Slumdog Questionnaire | Abstract PDF |
| Hannah Chapelle Wojciehowski | ||
| Vol 11, No 1 (2010): Chris Marker (II) | Autour de 1968, en France et ailleurs : Le Fond de l'air était rouge | Abstract PDF |
| Sylvain Dreyer | ||
| Vol 10, No 1 (2009): Images of the Invisible | Avant-Propos | Abstract PDF |
| Christian Chelebourg | ||
| Vol 10, No 3 (2009): Chris Marker (I) | Avatars de l'Histoire, Warburg et Marker | Abstract PDF |
| Barbara Laborde | ||
| Vol 13, No 4 (2012): Figurations iconographiques de l'écrivain/Iconographic figurations of the writer | À quoi pourraient servir une sorcière, un diable et un peintre ? Figurations auctoriales dans les journaux expérimentaux flamands de Maurice Gilliams (1900-1982) et Gaston Burssens (1896-1965) | Abstract PDF |
| Matthieu Sergier | ||
| Vol 10, No 3 (2009): Chris Marker (I) | ‘Thought-Images’ and Critical-Lyricisms: The Denkbild and Chris Marker’s Le Tombeau d’Alexandre | Abstract PDF |
| David Foster | ||
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